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For it's price nothing special

Love it, this camera and lens bring cinema everywhere

Forgot about the hack. You reminded me. Thanks

You state basic things such as file format wave at 24 bits but don't say how this is professional. By all means state 24 bits and 48k, but you have to tell us the inherent noise floor, shielding, etc. At this point we should have an idea if these units hold up over time. The battery life might be great when you first purchase a unit. How about months later with regular use? If it is all internal storage space then how well do they hold up? Are we seeing file corruption? Do the connectors get less reliable over time? Do the units hold up to field work long term or are they fragile?

Let's just walk through this. Are microphones typically "complicated?" No not really. Are wind socks typically difficult to put on? No not really. Are microphones and receivers typically difficult to power up? No not really. What makes a lavelier microphone fancy? Are you just trying to say that it has an input for an external source? Zoom and other companies make microphone/recorder units too. How is this different from those? I only survived about six minutes of the video. Does he ever explain sending the audio from the receiver to a stand alone recording device? Are there two separate audio tracks from the receiver or do they get mixed down into one?

Does this Len have imagine stabilization ?

Sigma 16-28 is a better option IMO and covers the ranges needed for environmental portrait, real estate, urban wide portraits and landscape. There is no need for many fps for photos at that wide range. Optically they are all great but for the price, I won't for for its zoom range limitations.

How is this compared to nikon z6iii ... One thing I missed out on z6iii is direct ssd recording via usb c . Hows the dynamic range of s5iix & z6iii Someone please give genuine feedback 🙏

It's pretty much established in the industry that FF is better than APS-C, so this video is mute...

Thank you

you said "acceptable footage", this is excellent amazing footage from both

Emphasis on "I"

can i get this video? please so i can follow you and practise?

Thanks for the video. Very useful. I've been searching for ages for a video regarding these VND systems that include good info about usability and, in particular, sharpness. They're rarer than you'd think. Most of them lean too heavily toward a sales pitch to be particularly useful. Thanks again. 👍

We're Just getting started with S-Log

For theater screens, RAW is basically a necessity... but for 90% of content, 10-bit is enough.

I once learned all but forgot to use it or didn't have the option to use them much. I love the cut on the action and match cut, feels really strong editing moves while also subtle. The L and J cuts are great to connect cuts further. I think cutting to the beat is a bit overhyped and overused. It's cool but only when used carefully and for the right video. My tip is to concentrate on the audio: use ambience/environmental sounds, sfx. Use the right volumes for tracks. Do not afraid to modify the volume for a smaller part of the audio (like pulling down the music for some sfx or narration). As for the visuals: sometimes less is more, so don't overdo trendy cuts, transitions, overlays, etc

I wish sony made a 35-70 2.8 in that size, but please with the correct barrel extension xD

If you shoot everything right as it should look in the final clip you can go with 8bit. The more you do color correction the more depth and color information you need.

Thanks for this video man, I bought this lens on ebay and had instant buyers regret, I'm filming a youtube video for a new channel, lots of talking head and over head product stuff, and I've got a ZV-E10, so I was worried the non-full frame thing would be an issue, so appreciate you breaking it down for APS-C. Also love how many canadians are on youtube, seems like hollywood we overrepresent!

As much as I liked the capabilities of Capture One's color grading tools, I did notice the exact same thing right away regarding adjustments of highlights / shadows and selective colors. Lightroom just seems to affect the expected range and offer a wider degree of adjustments, while in Capture One, I sometimes feel that I need to go for a more complex masking, and the maximum amount of the adjustments is not enough for my needs... For example, before switching to Capture One a few years ago, I typically darked down the blues in Lightroom to reveal the sky texture and make it less overexposed. In Capture One, I couldn't achieve the same effect as easily.

SUPERB! can I apply any LUT from the LUT library to my Vlog videos? Like those Kodak ones or ARRI ? Thanks!

Is 7 stops enough when shooting slog3 during daylight with iso 800 and f/2.8 ?

Love mine and I have the 24-70 GM II

great video, Thank you. I hate reading instructions, I got the same backpack.

Remember that's only at 3:1. You have other options that are still going to have the same color grading ability. If you shoot at 12:1 then your BRAW files will be 1/4th the size. At Q5, the datarate will vary between 1/2 to 1/5th the data-rate of 3:1. Likewise if you're recording something that's really high detail, Q0 can go up to datarates that are higher than 2:1. If you're shooting something in low-light that's really noisy, shooting at Q0 will be the best option to prevent any compression from removing any signal that's under the noise. Shooting at Q0 with the highest resolution your camera can do will allow you to recover way more signal from that footage when using noise reduction. In this case, noise reduce at 5.9K, then downsample to 4K to average additional noise. The result you get will be much cleaner and sharper than you can get in-camera. It's a lot but definitely not overkill when you're shooting a light starved scene.

i like the color in this video

You forgot one other problem with vari ND’s: color shifts due to change in the strengths filtering out varying degrees of visible light but not equally proportionate amounts of infrared light. For those who shoot and color their work this is a big annoyance when shooting to match exposure but throwing off the white balance when doing so. Even more so when not shooting raw.

Sigma fp user here - cameras with internal RAW make me so jealous. 😂 I prefer to burn through SSDs for my small projects just to have the flexibility but that might change if I had a better starting point. This was a great, detailed explanation and test of each reason to use the format that matches your work(flow). Great job mate, I expected no less!

thanks

In tip #3 does music from IG count as extra???

Excellent video!

Not worth it unless you're getting paid the big bucks!

I actually think the original Sony ZV1, not the new mark II is the way to go! The new Mark II has a 16 to 50mm f1.8 to f4 lens. The older ZV1 has a 24 to 70mm f1.8 to f2.8 lens! So, you get a good f stop and more in low light capability from the f1.8 lens on the ZV1 than on the ZV1 mark II ! PLUS, let's look at the other end of the zoom range. The new Mark II is much slower, and not so good for low light photography at f4, and only gets out to 50mm! Where as the ZV1 get out to 70mm, substantially more "zoomed" in, but it also does that at only f2.8 instead of f4, and that's HUGE difference in low light capability!!! Actually, as far as lens specs go, a 70mm f2.8 is quite a spendy lens if purchased separately as most are f3.5 to f4.5, so it's a nice surprise!! 💯 The ZV1 also has two types of image stabilization which actually works so much better than the single type the newer camera uses! So image stabilization is way, Way better on the older ZV1. Now let's get to the good part! ... The older ZV1 retailed for $750 where the newer mark II version retails for $900. Since the new Mark II is, well, newer lol there's less likely to score a huge discount on a very nice condition used camera from eBay or wherever. There's also a neat little conundrum when buying a used ZV1 from eBay! Lol Sony came out with an entry level camera called the ZV1F ... Yes! The "F" is the only part of the model number that was changed and owners selling used are confused by only a single letter differentiating between the much lower capable F and ZV1. Many sellers are pricing their nicer ZV1 at the price the $500 retail ZV1F retailed for! Haaha! So, I was able to buy a nice condition ZV1 for what the lowest price of the ZV1F's are going for used! 😉 Instead of the used ZV1's selling for around $580 to $650, like the majority are selling for used, some sellers are pricing their ZV1 for what the ZV1F's are going for. Well, there's a $250 difference in retail and a whole lotta difference in the two cameras capabilities! So, I purchased a used ZV1 for only $352 shipped! And that was from a Top Rated seller with lots and lots of ebay sales history and a 99.7% seller rating, with full returns for 30 days! Other ZV1's were priced at $350 to $430 too, and as of 6/24 there were quite a few to choose from with this mixed up pricing!!! 😁 Typically you can't get any of these used camera offerings, from almost all brands and models of cameras, for less than HALF of retail, but I discovered this little one letter screw up and jumped on it! 😎🤘 You can too! Just avoid anything with an F at the end of the ZV1 model number and pick and choose from several at a bargain price! Enjoy! I like, not only the price, but the lens zooming capability and lower light f stops and better image stabilization of the ZV1 much better than the mark II ... I think it's a better camera, unless you want a wider 16mm lens, like the vloggers seen to prefer. I like the 24 to 70 "faster" lens and better stabilization, myself. 🥳

The 32 bit float definitely got my attention over and above the lens itself! Do you have a video?

I'm going to have to revisit C1 once the pano and HDR tools come out. Those were big 'gotchas' for me. I loved the toolset otherwise. When I revisit C1 I will also have to get more comfortable with their catalog. That's probably the hardest thing to walk away from LR with.

Your video is amazingly helpful! Quick question: I like the camera shake effect! But is there an effect that does the opposite? When we have shaky footage an effect that makes it “Steady footage” Asking for my wife😅

Can’t believe I’m looking at “camera bags” again… as I bought a Nanuck case for my Sony FX3 and prime lenses and the BEVISGEAR Top Shelf for my A1 and two Zooms… each great for day trips for video OR photography but not for carrying BOTH camera bodies and all lenses for a longer trip on a plane’s overhead… Goodness knows the airlines complain about taking up a “whole bin” but seriously… I’m gonna risk $20K of equipment for a plane trip!?! As an older guy, I like that smaller bag because that’s all I’m gonna take out for the day on a travel safari - what I’m gonna shoot for the day (namely Photograpy OR Video NOT both) and, at the risk of having my hotel room burglaried, I’m leaving half behind.

If the Sigma lens is brighter than the other two, doesn't that more to do with the electronics inside the lens, not the glass? That needs to be investigated. How can lenses rated at f2.8 let in more or less light? could be the Sigma is not accurately reporting its true f-stop? What's going on?

What was the resolution and codec shot here. The 6K open gate gives the Lumix the most dynamic range but is only 4:2:0 internally

Do you know how to set it up with the rodecaster duo?

Do you know how to set ip up with the rodecaster duo?

This was not helpful

Dude god damn this vid earned a sub I was literally just looking in to a vnd/cp hybrid

Done it like that for a long time. But once I forgot that the camera wasn’t attached to the strap so I almost threw it to the ground as I let go of the camera thinking it was attached to a strap. So be careful 😊

Such a well put together and informative video, you're amazing at this! Wonderful job

I know two perfect products number one is me and number two is a camera😅

If you continue to use & support Adobe products you are a complete idiot. Adobe are using your content to train their AI & that AI is going to be used to replace creatives so that corporate marketing wankers can simply type a few key words & generate the content instead of paying people like you to make it. Photographers, musicians, designers, videographers, cartoonists & many others will be out of a job. Create you content manually, store your data locally & avoid AI based or cloud anything.

Nisi True Color is missing here. I use it and love it

Thank you for posting this video I just got some more ideas for b roll on my young RUclips channel.